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“... I am just back at my home in Brittany after a week’s moving round Britain doing talks and readings on the occasion of my return to English-language publishing after twenty years’ absence. Before going further into this return, which I do not see as any kind of ‘come-back’, but as a new departure, maybe I should lay out the reasons for that long absence and silence in the English-language field ...”

“... the end of his life, gauging morale and wondering what system could help young folk to flourish. Kenneth White, a Glaswegian based in Brittany and professor at the Sorbonne, is for ever wondering, as he walks the beaches of Western Europe, which place is home for him. Beveridge and Turnbull, young academics (I presume), undertake what they call a ...”

“... steps with Jacques Laurent (Prix Goncourt, Grand Prix de I’ Académie Française), Max Gallo, Kenneth White (Prix Médicis Etranger), Jean-Edern Hallier, Marcel Schneider, Bernard Frank, Sartre when he was alive, Barthes likewise, Jean Genet, Wolfromm, Françoise Giroud, Le Roy Ladurie (who loafs by on a bicycle), d’Ormesson, Cartano, Genevieve ...”

“... ships, and it is perfectly clear that ‘her’ and ‘she’ refer to Helen throughout. If Kenneth Palmer had retained the Folio colon after ‘aunt’, it would be necessary to explain in a note that the first ‘she’ does not refer to Aunty Hesione. It may be argued that this is what notes are for, and that it is best to acquire familiarity with ...”

“... Finn black? Of course he wasn’t. By today’s accredited categories he was poor, male, white trash. So what – besides a desire to be arresting – lies behind Professor Fishkin’s clearly tendentious title? Mark Twain, Clifton Fadiman wrote, is ‘our Chaucer, our Homer, our Dante, our Virgil, because Huckleberry Finn is the nearest thing we ...”

“... In part ten​ of Civilisation, Kenneth Clark turned his attention to the Enlightenment, the age of the great amateurs. These were men ‘rich and independent enough to do what they liked’, who nevertheless did things which required considerable ability, men like Lord Burlington, the architect earl. A connoisseur, an ‘arbiter of taste’, Clark explained, ‘the sort of character who these days is much despised ...”

“... in irregular employment and part-time art education. He could not draw well enough for Mr Leyshon-White’s commercial art agency, so he ran the correspondence course. He enjoyed writing to rural amateurs telling them how bad their work was. Later he made advertising displays and did a little modelling for a hat company. He read a great deal, and made ...”

“... and connubium. In Western societies they have operated within the cultural framework of class. Kenneth Ballhatchet takes the equally familiar notion that in colonial societies alien minority rule translated class distinctions into those of race. In India he sees the social aloofness of the ruling white minority as being ...”

“... premieres by Wayne McGregor, Christopher Wheeldon and Kyle Abraham, alongside classic ballets by Kenneth MacMillan and Frederick Ashton. In May and June, ahead of the full reopening, the company streamed an online programme featuring choreographers closely associated with the Royal Ballet. One name was conspicuous by its absence: Liam Scarlett, the former ...”

“... it might be a clothesline, ‘old and dark grey’: ‘It had burst open and was giving up its white pith.’ Or it might be a locker room, where ‘hair pieces like Skye terriers waited for their masters’; or a courtroom, where a lawyer called Cannibal Pinsker has ‘a large yellow cravat that lay on his shirt like a cheese omelette’; or an old ...”

“... of the modernist musical canon. But that’s precisely the reason you’ll find it on UbuWeb, Kenneth Goldsmith’s online ‘clearing house for the avant-garde’ (at www.ubu.com). Slonimsky’s world-premiere recordings of Charles Ives and Edgard Varèse are catalogued on the website under ‘Sound’, but he’s also in the ...”

“... the Six Gallery, an auto-repair shop at Union and Fillmore in San Francisco. Five poets performed. Kenneth Rexroth, the consigliore of radicalism, was master of ceremonies. Jack Kerouac, too self-conscious to read, acted as cheerleader: ‘Go! Go! Go!’ He passed out slopping gallon jugs of Californian Burgundy. There had been poetry readings in the Bay Area ...”

“... there, or discussed his feelings. Orton concludes: ‘the sleeve of my rainmac is covered with white-wash from the wall. It won’t come off.’ All emotion, all sensation, is edited out. But the scene is there – horribly vivid, carefully written. Because Orton’s prose is naturally flat and economical, the pose is perfunctory. Was Orton ...”

“... Between Us Girls in 1957, after he had ended a period of collaboration with his lover and mentor Kenneth Halliwell. A classics scholar and failed actor, Halliwell was devoted to the gay literary canon avant la lettre, and had tutored Orton in the homosexual literary tradition from the Greeks to Genet. ‘Together,’ Francesca Coppa writes in her excellent ...”

“... So-called World History originated in an attempt to escape from the tyrannical perspective of dead white Euro-American males, yet that ‘world’ perspective has had the effect of making those same males more dominant than ever. Thus Eric Wolf’s Europe and the People Without History (1982), however heroic in intention, ends up asserting that extra-European peoples did have a history, but it was a history of their relations with Euro-American economies ...”